List of musical modes

Belongs to program Scala, see command MODE.
Number of names: 917
The numbers represent the number of scale degrees between consecutive tones of the mode, starting from the tonic. So for 12-tone modes they are semitones, for 24-tone modes quartertones, etc., but for unequal "parent scales" just the former. This list only specifies which notes are used in a mode, raga, maqam, etc. ignoring all other aspects. This list also ignores varieties that may exist of given modes in different parts or schools of a culture. A number between [] indicates another starting note than the implicit degree 0.
The Meantone chromatic scales (negative systems), Twelve-tone chromatic scales (positive systems) and their major and minor modes are of the 3-limit Pythagorean kind. The scales marked with "Just" are approximations to 5-limit just scales, as well as the natural, melodic and harmonic minor scales.

7 tone modes:

1 1 2 1 2 Thai mode 1
1 2 1 2 1 Thai mode 2
2 1 1 2 1 Thai mode 6

7 tone modes of pelog:

Pelog is not 7 tone equal temperament. A typical pelog scale is 0, 122, 271, 571, 677, 785, 947 cents.
1 1 2 1 2 Patet Lima, Patet Nem, Jawar, Selisir
[1] 1 2 1 1 2 Patet Barang
1 2 1 1 2 Patet Lima, Nem with Pelog
[1] 1 1 2 1 2 Patet Barang with Pelog, Manangis, Slendro Gede, Pergenter 2
[2] 1 1 2 1 2 Liwung, Pergenter 1, Pengenter Alit
[3] 1 1 2 1 2 Tembung
[4] 1 1 2 1 2 Nyorog, Sunaren
[5] 1 1 2 1 2 Nyorog handap, Baro
2 1 1 2 1 Pelog
1 3 1 1 1 Dangsoe
1 2 1 2 1 Bem, Pengenter
2 1 2 1 1 Miring, Slendro 2
1 1 1 3 1 Menjoera
1 1 1 1 1 1 1 Lebeng
[2] 1 1 2 3 Slendro Alit
[1] 1 2 2 2 Jegog
[4] 2 1 2 1 1 Slendro 1
[1] 2 1 2 1 1 Slendro 3
[3] 2 1 2 1 1 Slendro 4

10 tone equal mode:

2 1 1 2 1 2 1 Sethares Neutral

12 tone modes:

5 7 Honchoshi: Japan
7 5 Niagari: Japan
10 2 Warao ditonic: South America
3 4 5 Peruvian tritonic 2
3 7 2 Ute tritonic
4 3 5 Raga Malasri, Peruvian tritonic 1
5 2 5 Raga Sarvasri, Warao tritonic: South America
5 5 2 Sansagari: Japan
6 1 5 Raga Ongkari
1 5 1 5 Messiaen's truncated mode 5
5 1 5 1 Messiaen's truncated mode 5 inverse
2 4 2 4 Messiaen's truncated mode 6
4 2 4 2 Messiaen's truncated mode 6 inverse
1 4 3 4 Raga Lavangi
2 1 7 2 Warao tetratonic: South America
2 2 3 5 Eskimo tetratonic (Alaska: Bethel)
2 3 4 3 Raga Bhavani
2 3 2 5 Genus primum
2 4 5 1 Raga Sumukam
4 3 3 2 Raga Mahathi
3 4 3 2 Bi Yu: China
2 3 2 1 4 Han-kumoi: Japan, Raga Shobhavari
2 1 4 1 4 Hira-joshi: Japan
1 4 2 1 4 Hon-kumoi-joshi, Sakura: Japan, Raga Salanganata, Saveri, Gunakri (Gunakali), Latantapriya, Olympos Enharmonic
1 4 2 3 2 Kokin-joshi, Miyakobushi: Japan, Raga Vibhavari (Revati), Bairagi
1 4 1 4 2 Iwato: Japan
2 3 2 2 3 Ritusen, Ritsu (Gagaku): Japan, Zhi, Zheng: China, Raga Devakriya, Durga, Suddha Saveri, Arabhi, Scottish Pentatonic, Ujo: Korea, Major complement
2 2 3 2 3 Major Pentatonic, Ryosen: Japan, Man Jue, Gong: China, Raga Bhopali (Bhup), Mohana, Deskar, Bilahari, Kokila, Peruvian Pentatonic 1, Ghana pent.2
2 3 2 3 2 Yo: Japan, Suspended Pentatonic, Raga Madhyamavati, Madhmat Sarang, Egyptian, Rui Bin, Jin Yu, Qing Yu: China
2 3 3 2 2 Chaio: China
2 2 2 3 3 Kung: China
1 4 2 2 3 Altered Pentatonic, Raga Manaranjani II
2 1 2 4 3 Raga Abhogi
4 2 1 4 1 Raga Amritavarsini, Malashri
2 1 2 3 4 Raga Audav Tukhari
4 1 4 2 1 Raga Bhinna Shadja, Kaushikdhvani, Hindolita
1 2 4 1 4 Balinese Pelog, Raga Bhupalam, Bhupala Todi, Bibhas
2 2 3 1 4 Raga Bhupeshwari, Janasammodini
3 2 4 2 1 Raga Chandrakauns (modern), Marga Hindola, Rajeshwari
3 2 4 1 2 Raga Chandrakauns (kafi), Surya
3 2 3 3 1 Raga Chandrakauns (kiravani)
1 2 3 2 4 Raga Chhaya Todi
2 3 2 4 1 Raga Desh
1 6 1 3 1 Raga Deshgaur
5 2 1 3 1 Raga Devaranjani (Devaranji)
3 2 2 3 2 Minor Pentatonic, Raga Dhani (Suddha Dhanyasi), Abheri, Udhayaravi Chandrika, Qing Shang, Gu Xian, Jia Zhong, Yu: China, Pyongjo-kyemyonjo: Korea, Minyo: Japan, Peruvian Pentatonic 2, Blues Pentatonic
4 2 1 2 3 Raga Dhavalashri
4 1 2 4 1 Raga Gambhiranata, Ryukyu: Japan
1 4 2 4 1 Raga Gauri
4 1 3 3 1 Raga Girija
2 2 3 4 1 Raga Hamsadhvani (Hansadhvani)
3 3 2 2 2 Raga Harikauns, Chin: China
3 2 1 4 2 Raga Jayakauns
4 1 4 1 2 Raga Khamaji Durga
3 2 2 1 4 Raga Kokil Pancham
1 4 3 3 1 Raga Kshanika
2 2 2 5 1 Raga Kumurdaki (Kumudki)
5 2 2 1 2 Raga Kuntvarali
3 2 3 2 2 Raga Malkauns (Malakosh), Raga Hindola, Man Gong, Quan Ming, Yi Ze, Jiao: China
4 3 2 2 1 Raga Mamata, Valaje
1 3 3 3 2 Raga Manaranjani I
2 5 2 1 2 Raga Matha Kokila (Matkokil)
1 3 1 3 4 Raga Megharanjani, Syrian pentatonic
1 3 1 6 1 Raga Megharanji
3 1 3 2 3 Raga Mohanangi
3 3 1 4 1 Raga Multani
1 1 4 1 5 Raga Nabhomani
4 1 2 2 3 Raga Nagasvaravali, Raga Mand
3 2 2 4 1 Raga Nata, Udayaravicandrika, Madhuranjani
2 2 5 2 1 Raga Neroshta
4 2 3 2 1 Raga Hindol (Sunada Vinodini), Sanjh ka Hindol
2 3 3 3 1 Raga Priyadharshini
2 1 2 2 5 Raga Purnalalita, Chad Gadyo: Jewish, Ghana Pentatonic 1
5 2 2 2 1 Raga Puruhutika, Purvaholika
1 3 3 2 3 Raga Rasika Ranjani, Bibhas (marva), Scriabin
2 3 4 2 1 Raga Rasranjani
1 3 3 1 4 Raga Reva, Revagupti, Ramkali, Bibhas (bhairava)
3 3 1 3 2 Raga Samudhra Priya, Madhukauns (pentatonic)
1 5 1 1 4 Raga Saugandhini, Yashranjani
2 1 4 2 3 Raga Sivaranjini (Shivranjani), Akebono I: Japan, Dorian Pentatonic
3 4 1 2 2 Raga Shailaja
2 4 1 2 3 Raga Shri Kalyan
2 4 1 4 1 Raga Vaijayanti, Hamsanada
4 3 2 1 2 Raga Valaji
4 1 2 1 4 Raga Zilaf
2 2 3 3 2 Dominant Pentatonic, Shang: China
4 1 2 3 2 Mixolydian Pentatonic, Raga Savethri
3 2 2 2 3 Minor added sixth Pentatonic, Kyemyonjo: Korea
2 2 2 2 2 2 Whole-tone, Messiaen's mode 1, Raga Gopriya, Anhemitonic Hexatonic
2 3 2 2 1 2 Pyongjo: Korea, Yosen: Japan, Raga Darbar, Narayani, Suposhini, Gorakh Kalyan, Mixolydian Hexatonic
2 2 2 3 1 2 Prometheus, Raga Barbara
1 3 2 3 1 2 Prometheus Neapolitan
3 2 1 1 3 2 Blues scale I
1 2 2 3 2 2 Ritsu: Japan, Raga Suddha Todi
2 2 1 2 2 3 Arezzo Major Diatonic Hexachord, Raga Kambhoji, Devarangini
2 1 2 2 3 2 Minor Hexatonic, Raga Palasi, Manirangu, Nayaki, Yo: Japan, Eskimo Hexatonic 1 (Alaska: King Island)
2 2 2 2 3 1 Eskimo Hexatonic 2 (Alaska: Point Hope)
2 1 4 2 2 1 Hawaiian
2 1 2 1 3 3 Pyramid Hexatonic
1 2 2 1 3 3 Double-Phrygian Hexatonic
2 1 3 1 4 1 Raga Amarasenapriya
2 1 2 4 1 2 Raga Bagesri, Sriranjani, Kapijingla
1 3 3 1 3 1 Raga Bauli
3 1 1 2 3 2 Raga Bhanumanjari, Jog
1 2 3 2 2 2 Raga Bhavani
2 3 2 1 3 1 Raga Bhinna Pancama
2 2 2 1 4 1 Raga Caturangini
1 1 4 1 2 3 Raga Chandrajyoti
1 3 2 1 1 4 Raga Dhavalangam
2 2 1 1 1 5 Raga Dipak
1 2 2 2 3 2 Raga Gandharavam
1 3 1 2 4 1 Raga Gaula
2 1 2 3 3 1 Raga Ghantana
3 2 2 1 2 2 Raga Gopikavasantam, Desya Todi, Phrygian Hexatonic
1 2 3 2 3 1 Raga Gurjari Todi
1 3 2 3 2 1 Raga Hamsanandi, Marva, Pancama, Puriya
2 2 1 4 2 1 Raga Hamsa Vinodini
4 1 2 2 2 1 Raga Hari Nata, Genus secundum
1 3 2 2 1 3 Raga Hejjajji
2 4 1 1 2 2 Raga Jaganmohanam
1 4 2 2 2 1 Raga Jivantika
3 3 1 3 1 1 Raga Jivantini, Gaurikriya
4 2 1 1 2 2 Raga Jyoti
1 3 3 1 1 3 Raga Kalagada
1 4 2 1 1 3 Raga Kalakanthi
1 3 1 2 2 3 Raga Kalavati, Ragamalini
4 1 2 1 2 2 Raga Kamalamanohari
4 1 2 2 1 2 Raga Khamas, Baduhari
2 2 3 2 2 1 Raga Kumud, Sankara (Shankara), Lydian Hexatonic
1 3 1 3 3 1 Raga Lalita, Sohini (Hamsanandi), Lalit Bhairav
2 2 3 1 3 1 Raga Latika
3 3 1 2 1 2 Raga Madhukauns (hexatonic)
2 4 1 3 1 1 Raga Malarani (Hamsanada)
1 3 3 2 1 2 Raga Malayamarutam
2 1 4 2 1 2 Raga Manavi
1 3 2 1 4 1 Raga Mandari, Gamakakriya, Hamsanarayani
3 2 2 2 1 2 Raga Manohari
2 2 2 3 2 1 Raga Mruganandana
2 3 2 2 2 1 Raga Nagagandhari
2 2 1 2 4 1 Raga Nalinakanti, Kedaram
2 3 2 1 2 2 Raga Navamanohari
1 4 2 1 3 1 Raga Padi
4 1 2 1 3 1 Raga Paraju, Ramamanohari, Simhavahini, Sindhu Ramakriya
1 4 2 1 2 2 Raga Phenadyuti, Insen, Honchoshi, Niagari: Japan
1 2 2 1 4 2 Honchoshi plagal form: Japan
1 3 1 2 1 4 Raga Purna Pancama, Malahari, Geyahejjajji, Kannadabangala
2 2 1 4 1 2 Raga Rageshri (Rageshwari), Nattaikurinji
2 1 3 3 2 1 Raga Ranjani, Rangini
3 1 2 1 4 1 Raga Rasamanjari
1 4 2 2 1 2 Raga Rasavali
1 3 1 4 1 2 Raga Rudra Pancama
1 2 4 2 1 2 Raga Salagavarali
2 3 2 3 1 1 Raga Brindabani Sarang, Megh (Megh Malhar)
2 2 1 3 3 1 Raga Sarasanana
2 4 1 2 1 2 Raga Sarasvati
4 1 2 1 1 3 Raga Saravati (Sharavati)
2 1 3 1 3 2 Raga Simharava (Sinharavam)
2 1 2 2 4 1 Raga Sindhura Kafi
2 2 1 2 3 2 Raga Siva Kambhoji, Vivardhini
2 1 2 2 2 3 Raga Suddha Bangala, Gauri Velavali
1 1 3 3 1 3 Raga Suddha Mukhari
1 2 2 2 1 4 Raga Suddha Simantini
2 1 3 1 1 4 Raga Syamalam
3 2 2 1 3 1 Raga Takka
4 1 2 3 1 1 Raga Tilang, Savitri, Brindavani-Tilang
2 1 4 1 2 2 Raga Trimurti
1 3 1 4 2 1 Raga Vasanta, Chayavati
1 3 1 3 2 2 Raga Vasantabhairavi
2 1 3 1 2 3 Raga Vijayanagari
1 2 3 1 4 1 Raga Vijayasri
4 2 1 3 1 1 Raga Vijayavasanta
1 2 2 3 3 1 Raga Viyogavarali
4 2 1 2 1 2 Raga Vutari
2 2 2 1 2 3 Raga Yamuna Kalyani, Kalyani Keseri, Ancient Chinese
1 1 4 1 1 4 Messiaen's mode 5
4 1 1 4 1 1 Messiaen's mode 5 inverse
1 3 1 3 1 3 Messiaen's truncated mode 3
3 1 3 1 3 1 Messiaen's truncated mode 3 inverse, Major Augmented, Genus tertium
1 2 3 1 2 3 Messiaen's truncated mode 2
1 3 2 1 3 2 Messiaen's truncated mode 2
G = Greek, M = Medieval (ecclesiastical)
1 2 2 1 2 2 2 G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian, Pien chih: China
2 2 1 2 2 2 1 G.Lydian, M.Ionian, M.Hypolydian, Major, Bilaval That, Mela Shankarabharanam, Ghana Heptatonic, Peruvian major, 4th plagal Byzantine, Ararai: Ethiopian, Dastgah Mahur, Dastgah Rast Panjgah
2 1 2 2 2 1 2 G.Phrygian, M.Dorian, M.Hypomixolydian, Kafi That, Mela Kharaharapriya, Raga Bageshri, Sriraga, Bhimpalasi, Mischung 5, Eskimo Heptatonic, Yu: China
1 2 2 2 1 2 2 G.Dorian, M.Phrygian, G.M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Raga Bilashkhani Todi, In: Japan, Maqam Kurd, Ousak: Greece, Major inverse
2 2 2 1 2 2 1 G.Hypolydian, M.Lydian, Kalyan That (Yaman), Mela Mecakalyani, Raga Shuddh Kalyan, Ping, Kung: China
2 2 1 2 2 1 2 G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, G.M.Hypoionian, Khamaj That, Mela Harikambhoji, Mischung 3, Ching, Shang: China
2 1 2 2 1 2 2 G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Natural Minor, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Raga Adana, Se, Chiao: China, Peruvian minor, Geez, Ezel: Ethiopian
1 1 3 1 1 3 2 Chromatic Mixolydian
1 3 1 1 3 2 1 Chromatic Lydian, Raga Lalit
3 1 1 3 2 1 1 Chromatic Phrygian
1 1 3 2 1 1 3 Chromatic Dorian, Mela Kanakangi, Raga Kanakambari
1 3 2 1 1 3 1 Chromatic Hypolydian, Purvi That, Mela Kamavardhani, Raga Shri, Pantuvarali, Kasiramakriya, Basant, Puriya Dhanashri
3 2 1 1 3 1 1 Chromatic Hypophrygian, Blues scale III
2 1 1 3 1 1 3 Chromatic Hypodorian, Raga Dvigandharabushini
2 3 1 1 3 1 1 Chromatic Mixolydian inverse
1 1 2 3 1 1 3 Chromatic Phrygian inverse
1 1 3 1 1 2 3 Chromatic Hypophrygian inverse
3 1 1 3 1 1 2 Chromatic Hypodorian inverse
2 1 2 2 2 2 1 Melodic Minor ascending, Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Patdip, Velavali, Mischung 1, Hawaiian
2 1 2 2 1 3 1 Harmonic Minor, Spanish gipsy, Mischung 4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani, Kalyana Vasantha, Maqam Bayat-e-Esfahan
1 3 1 2 2 1 2 Harmonic Minor inverse, Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Vegavahini, Maqam Hicaz
2 2 1 2 1 3 1 Harmonic Major, Mela Sarasangi, Mischung 2, Ethiopian
1 2 1 3 1 2 2 Phrygian flat 4, Maqam Huzzam
2 2 2 2 1 2 1 Lydian Augmented, Lydian sharp 5
2 2 1 1 2 2 2 Major Locrian
2 1 2 1 2 2 2 Minor Locrian, Half Diminished, Locrian sharp 2, Minor flat 5
1 2 1 2 2 2 2 Super Locrian, Altered, Diminished Whole-tone, Locrian flat 4
2 1 2 1 2 3 1 Locrian no.2
1 2 1 2 2 1 3 Ultra Locrian
2 3 1 2 1 2 1 Nohkan Flute scale: Japan
2 1 1 3 1 2 2 Sambah: Greece
2 1 2 1 3 1 2 Maqam Karcigar
1 1 3 2 1 2 2 Mela Ratnangi, Raga Phenadyuti
1 1 3 2 1 3 1 Mela Ganamurti, Raga Ganasamavarali
1 1 3 2 2 1 2 Mela Vanaspati, Raga Bhanumati
1 1 3 2 2 2 1 Mela Manavati, Raga Manoranjani
1 1 3 2 3 1 1 Mela Tanarupi, Raga Tanukirti
1 2 2 2 1 1 3 Mela Senavati, Raga Senagrani, Malini
1 2 2 2 1 3 1 Neapolitan Minor, Mela Dhenuka, Raga Dhunibinnashadjam, Maqam Shahnaz Kurdi
1 2 2 2 2 2 1 Neapolitan Major, Phrygian Major, Mela Kokilapriya, Raga Kokilaravam
1 2 2 2 2 1 2 Mela Natakapriya, Jazz Minor inverse, Phrygian-Mixolydian, Raga Natabharanam, Ahiri Todi
1 2 2 2 3 1 1 Mela Rupavati
1 3 1 1 2 3 1 Raga Lalita, Chromatic Hypolydian inverse, Raga Suddha Pancama
1 3 1 2 1 1 3 Mela Gayakapriya, Raga Kalakanti, Gipsy Hexatonic
1 3 1 2 1 2 2 Mela Vakulabharanam, Alhijaz: Arabic, Raga Jogiya, Vativasantabhairavi, Ahavoh Rabboh: Jewish, Maqam Humayun, Hitzaz: Greece, Dorico Flamenco, Harmonic Major inverse
1 3 1 2 1 3 1 Major Gipsy, Persian, Double Harmonic Major, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Second Byzantine mode, Hitzaskiar: Greece, Maqam Zengule, Hijaz Kar
1 3 1 2 2 2 1 Mela Suryakanta, Bhairubahar That, Raga Supradhipam
1 3 1 2 3 1 1 Mela Hatakambari, Raga Jeyasuddhamalavi
2 1 2 1 1 3 2 Modified Blues
2 1 2 2 1 1 3 Mela Jhankaradhvani, Raga Jhankara Bhramavi
2 1 2 2 3 1 1 Mela Varunapriya
2 2 1 2 1 1 3 Mela Mararanjani, Raga Keseri
2 2 1 2 1 2 2 Mischung 6, Mixolydian flat 6, Major-Minor, Mela Carukesi, Raga Charukeshi, Tarangini
2 2 1 2 3 1 1 Mela Naganandini, Raga Nagabharanam, Samanta, Viravasantham
3 1 1 2 1 1 3 Mela Yagapriya, Raga Kalahamsa
3 1 1 2 1 2 2 Mela Ragavardhani, Raga Cudamani
3 1 1 2 1 3 1 Mela Gangeyabhusani, Raga Gangatarangini, Sengah: Greece
3 1 1 2 2 1 2 Mela Vagadhisvari, Raga Bhogachayanata, Nandkauns, Bluesy R&R
3 1 1 2 2 2 1 Mela Sulini, Raga Sailadesakshi, Raga Trishuli, Houzam: Greece
3 1 1 2 3 1 1 Mela Calanata, Raga None, Chromatic Dorian inverse
1 1 4 1 1 1 3 Mela Salaga
1 1 4 1 1 2 2 Mela Jalarnava
1 1 4 1 1 3 1 Mela Jhalavarali, Raga Varali
1 1 4 1 2 1 2 Mela Navanitam, Raga Nabomani
1 1 4 1 2 2 1 Mela Pavani, Raga Kumbhini
1 1 4 1 3 1 1 Mela Raghupriya, Raga Ravikriya, Ghandarva
1 2 3 1 1 1 3 Mela Gavambodhi, Raga Girvani
1 2 3 1 1 2 2 Mela Bhavapriya, Raga Bhavani, Kalamurti
1 2 3 1 1 3 1 Todi That, Mela Shubhapantuvarali, Raga Multani, Chromatic Lydian inverse
1 2 3 1 2 1 2 Mela Sadvidhamargini, Raga Sthavarajam
1 2 3 1 2 2 1 Mela Suvarnangi, Raga Sauviram
1 2 3 1 3 1 1 Mela Divyamani
1 3 2 1 1 1 3 Mela Dhavalambari, Foulds' Mantra of Will scale
1 3 2 1 1 2 2 Mela Namanarayani, Raga Narmada, Pratapa
1 3 2 1 2 1 2 Mela Ramapriya, Raga Ramamanohari, Petrushka chord
1 3 2 1 2 2 1 Marva That, Mela Gamanasrama, Raga Partiravam, Puriya, Puriya Kalyan, Peiraiotikos: Greece
1 3 2 1 3 1 1 Mela Visvambhari, Raga Vamsavathi
1 3 2 2 2 1 1 Verdi's Enigmatic ascending
1 3 1 3 2 1 1 Verdi's Enigmatic descending
2 1 3 1 1 1 3 Mela Syamalangi, Raga Shyamalam
2 1 3 1 1 2 2 Mela Sanmukhapriya, Raga Camara, Chinthamani
2 1 3 1 1 3 1 Minor Gipsy, Mela Simhendramadhyama, Raga Madhava Manohari, Maqam Suzdil, Nawa Athar, Double Harmonic Minor, Niavent: Greece
2 1 3 1 2 1 2 Mela Hemavati, Raga Desisimharavam, Maqam Nakriz, Tunisian, Hedjaz: Jewish, Souzinak (Peiraiotiko Minore): Greece
2 1 3 1 2 2 1 Mela Dharmavati, Raga Arunajualita, Dumyaraga, Madhuvanti, Ambika, Lydian diminished
2 1 3 1 3 1 1 Mela Nitimati, Raga Nisada, Kaikavasi
2 2 2 1 1 1 3 Mela Kantamani, Raga Kuntala, Srutiranjani
2 2 2 1 1 2 2 Lydian Minor, Mela Risabhapriya, Raga Ratipriya
2 2 2 1 1 3 1 Mela Latangi, Raga Gitapriya
2 2 2 1 2 1 2 Lydian Dominant, Mela Vacaspati, Raga Bhusavati, Overtone, Lydian-Mixolydian
2 2 2 1 3 1 1 Mela Citrambari, Raga Chaturangini
2 2 1 4 1 1 1 Raga Ragesri
2 3 2 2 1 1 1 Raga Sorati, Sur Malhar
3 1 2 1 1 1 3 Mela Sucaritra, Raga Santanamanjari
3 1 2 1 1 2 2 Mela Jyotisvarupini, Raga Jotismatti
3 1 2 1 1 3 1 Mela Dhatuvardhani, Raga Dhauta Pancama, Devarashtra
3 1 2 1 2 1 2 Hungarian Major, Mela Nasikabhusani, Raga Nasamani, Lydian sharp 2
3 1 2 1 2 2 1 Mela Kosalam, Raga Kusumakaram
3 1 2 1 3 1 1 Mela Rasikapriya, Raga Rasamanjari
4 1 2 2 1 1 1 Raga Madhuri
1 3 1 1 3 1 2 Oriental, Raga Ahira-Lalita
2 2 2 2 2 1 1 Leading Whole-tone
1 3 1 1 1 2 2 1 Raga Bhatiyar
2 1 3 1 1 1 1 2 Raga Cintamani
2 1 2 2 2 1 1 1 Raga Mian Ki Malhar, Bahar, Sindhura
2 1 2 2 1 1 1 2 Raga Mukhari, Deshi, Gregorian, Dorian/Aeolian mixed
1 3 1 1 1 1 3 1 Raga Ramkali (Ramakri)
1 3 1 2 1 1 2 1 Raga Saurashtra
2 1 1 1 2 2 1 2 Minor Bebop, Raga Zilla, Mixolydian/Dorian mixed
2 2 1 2 2 1 1 1 Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Maqam Shawq Awir, Major/Mixolydian mixed, Chinese Eight-Tone, Rast: Greece
2 2 1 2 1 1 2 1 Major Bebop, Altered Mixolydian
2 1 2 1 1 2 1 2 Blues scale II
2 1 2 1 1 1 3 1 Algerian
1 2 1 1 2 1 2 2 Spanish Phrygian
1 2 1 1 1 2 2 2 Espla's scale, Eight-tone Spanish
2 1 2 1 2 1 2 1 Diminished, Messiaen's mode 2 inverse, Whole-Half step scale
2 2 1 1 1 2 2 1 Ishikotsucho: Japan, Raga Yaman Kalyan, Chaya Nat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Kubilai's Mongol scale, Major/Lydian mixed
1 3 1 1 2 2 1 1 Verdi's Scala enigmatica
2 1 2 2 1 1 2 1 Zirafkend: Arabic
1 1 1 2 2 2 1 2 Adonai Malakh: Jewish
1 2 1 2 2 1 2 1 Magen Abot: Jewish
2 1 2 2 1 2 1 1 Maqam Nahawand, Raga Suha (Suha Kanada), Utility Minor
1 3 1 2 1 2 1 1 Maqam Hijaz
1 2 1 1 1 3 1 2 Maqam Shadd'araban
1 2 1 2 1 2 1 2 Octatonic, Messiaen's mode 2, Dominant Diminished, Half-Whole step scale
1 1 1 3 1 1 1 3 Messiaen's mode 4
3 1 1 1 3 1 1 1 Messiaen's mode 4 inverse
1 1 2 2 1 1 2 2 Messiaen's mode 6
2 2 1 1 2 2 1 1 Modus conjunctus, Messiaen's mode 6 inverse
1 1 2 1 1 2 1 1 2 Messiaen's mode 3, Tsjerepnin
2 1 1 2 1 1 2 1 1 Messiaen's mode 3 inverse
2 1 2 2 1 1 1 1 1 Raga Pilu, Full Minor
2 1 1 1 2 2 1 1 1 Raga Ramdasi Malhar
2 1 1 1 1 1 2 1 2 Blues Enneatonic
2 2 1 1 1 2 1 1 1 Taishikicho: Japan, Ryo: Japan, Raga Chayanat
1 2 1 1 2 1 1 2 1 Genus chromaticum
1 1 1 2 2 1 1 1 2 Chromatic and Diatonic Dorian mixed
1 1 2 1 2 1 1 2 1 Chromatic and Permuted Diatonic Dorian mixed
1 2 1 1 2 1 2 1 1 Moorish Phrygian
1 1 2 1 1 1 2 1 2 Youlan scale: China
1 1 1 1 2 1 1 1 1 2 Messiaen's mode 7
2 1 1 1 1 2 1 1 1 1 Messiaen's mode 7 inverse
2 1 1 1 2 1 1 1 1 1 Major/Minor mixed
2 1 1 1 1 1 2 1 1 1 Minor Pentatonic with leading tones
1 1 1 1 1 2 1 2 1 1 Raga Sindhi-Bhairavi
1 1 2 1 1 1 1 2 1 1 Symmetrical Decatonic
1 1 1 1 1 1 1 1 1 1 1 1 Twelve-tone Chromatic

13 tone equal modes:

3 3 2 3 2 Blackwood Pentatonic
1 2 1 2 2 1 2 2 Blackwood Subminor
1 2 2 1 2 1 2 2 Chalmers Major
2 1 2 2 1 2 2 1 Chalmers Minor
2 1 2 2 1 2 1 2 Chalmers Triadic Minor
1 1 2 1 1 2 1 1 1 2 Rapoport Minor
2 1 1 1 2 1 1 2 1 1 Rapoport Major

13 tone modes of Bohlen-Pierce scale: octave is 3/1

2 1 2 1 1 2 1 2 1 Delta, Moll I
1 2 1 2 1 1 2 1 2 Dur I, Delta inverse
1 2 1 2 1 1 2 2 1 Gamma
1 2 2 1 1 2 1 2 1 Gamma inverse
2 1 1 2 1 2 1 1 2 Dur II
2 1 1 2 1 2 1 2 1 Lambda
1 2 1 2 1 2 1 1 2 Harmonic, Lambda inverse
1 2 1 2 1 2 1 2 1 Pierce, Moll II
3 1 2 1 3 2 1 Prooijen Major
2 1 3 1 2 3 1 Prooijen Minor

15 tone equal modes:

1 2 1 2 1 2 1 2 1 2 Blackwood Decatonic
4 1 4 1 4 1 Blackwood Hexatonic
3 2 1 3 2 3 1 Fifteen-tone Major
3 1 2 3 1 3 2 Fifteen-tone Natural Minor
3 1 2 3 2 3 1 Fifteen-tone Melodic Minor
3 1 2 3 1 4 1 Fifteen-tone Harmonic Minor
3 2 1 3 1 4 1 Fifteen-tone Harmonic Major
3 1 1 1 3 1 1 2 1 1 Fifteen-tone Major/Minor mixed
1 2 1 1 1 2 1 1 1 1 2 1 Twelve-tone Chromatic

16 tone equal modes:

2 2 2 1 2 2 2 2 1 Goldsmith
1 3 1 3 1 3 1 3 Octatonic
2 2 3 2 2 2 3 Pseudo Pelog
2 2 1 2 2 2 2 1 2 Wilson

17 tone equal modes:

2 1 1 2 1 2 1 2 1 1 2 1 Twelve-tone Chromatic (2/11-comma positive)
3 3 1 3 3 3 1 Seventeen-tone Major
3 1 3 3 1 3 3 Seventeen-tone Natural Minor
3 1 3 3 3 3 1 Seventeen-tone Melodic Minor
3 1 3 3 1 5 1 Seventeen-tone Harmonic Minor
3 3 1 3 1 5 1 Seventeen-tone Harmonic Major
3 3 4 3 4 Seventeen-tone Major Pentatonic
4 3 3 4 3 Seventeen-tone Minor Pentatonic
3 4 3 4 3 Seventeen-tone Suspended Pentatonic

17 tone modes of Arabic Pythagorean scale:

256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1
3 3 1 3 3 1 3 Safi al-Din's maqam `Ussaq
3 1 3 3 1 3 3 Safi al-Din's maqam Nawa
1 3 3 1 3 3 3 Safi al-Din's maqam Abu Salik
3 2 2 3 2 2 3 Safi al-Din's maqam Rast
2 3 2 2 3 2 2 1 Safi al-Din's maqam `Iraq
3 2 2 3 2 2 2 1 Safi al-Din's maqam Isfahan
2 2 3 2 2 1 3 2 Safi al-Din's maqam Zirafkand
2 3 2 2 1 3 2 2 Safi al-Din's maqam Buzurk
3 2 2 2 3 2 3 Safi al-Din's maqam Zankulah
2 3 2 2 2 3 3 Safi al-Din's maqam Rahawi
2 2 3 2 2 3 3 Safi al-Din's maqam Husaini
2 2 3 2 3 2 3 Safi al-Din's maqam Higazi
1 2 1 1 1 1 1 2 1 1 1 1 1 2 al-Kindi's mode
1 2 1 2 1 1 2 1 2 1 3 Ishaq al-Mausili's mode

17 tone modes of Persian scale:

256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1
3 3 1 3 3 3 1 Dastgah Mahur, Dastgah Rast Panjgah
2 2 3 3 1 3 3 Dastgah Shur
2 3 3 1 3 3 2 Naghmeh Abu Ata, Naghmeh Afshari
3 3 1 3 3 2 2 Naghmeh Bayat-e Tork, Naghmeh Dashti
2 4 1 3 1 3 3 Dastgah Homayun
3 1 3 3 2 4 1 Naghmeh Esfahan
3 2 2 3 2 2 3 Dastgah Sehgah
2 3 2 2 3 3 2 Dastgah Sehgah
3 1 3 3 2 3 2 Dastgah Mokhalif
2 4 1 3 2 4 1 Dastgah Chahargah
3 1 3 3 2 2 3 Dastgah Nava

18 tone mode:

1 2 1 2 1 1 2 1 1 2 1 2 1 Wilson

19 tone modes:

5 4 5 5 Four out of 19
4 4 4 4 3 Five out of 19
3 3 5 3 5 Nineteen-tone Major Pentatonic
5 3 3 5 3 Nineteen-tone Minor Pentatonic
3 5 3 5 3 Nineteen-tone Suspended Pentatonic
4 4 3 4 4 Quasi-equal Pentatonic
3 3 3 3 3 4 Yasser's Hexad
3 3 2 3 3 3 2 Nineteen-tone Major
3 2 3 3 2 3 3 Nineteen-tone Natural Minor
3 2 3 3 3 3 2 Nineteen-tone Melodic Minor
3 2 3 3 2 4 2 Nineteen-tone Harmonic Minor
3 3 2 3 2 4 2 Nineteen-tone Harmonic Major
2 1 2 1 2 2 1 2 1 2 1 2 Yasser's Supradiatonic
1 2 2 1 2 1 2 1 2 2 1 2 Meantone Chromatic (1/3-comma)
2 1 2 1 2 1 2 2 1 2 1 2 Genus diatonico-chromaticum
1 2 5 1 2 5 3 Ratio 1:2 Chromatic Mixolydian
2 5 1 2 5 3 1 Ratio 1:2 Chromatic Lydian
5 1 2 5 3 1 2 Ratio 1:2 Chromatic Phrygian
1 2 5 3 1 2 5 Ratio 1:2 Chromatic Dorian
2 5 3 1 2 5 1 Ratio 1:2 Chromatic Hypolydian
5 3 1 2 5 1 2 Ratio 1:2 Chromatic Hypophrygian
3 1 2 5 1 2 5 Ratio 1:2 Chromatic Hypodorian
2 2 2 2 2 1 2 1 2 2 1 Krantz eleven out of 19
3 1 1 3 1 1 1 1 3 1 3 McLaren eleven out of 19

Joel Mandelbaum's 19 tone modes:

2 3 2 2 3 2 2 3 Eight out of 19
2 2 3 2 2 2 2 2 2 Nine out of 19
2 2 1 2 2 2 2 2 2 2 Ten out of 19
2 1 2 2 2 1 2 2 2 1 2 Eleven out of 19
1 2 1 2 2 1 2 1 2 1 2 2 Twelve out of 19
2 1 2 1 2 1 2 1 2 1 2 1 1 Thirteen out of 19
1 2 1 1 2 1 1 2 1 1 2 1 2 1 Fourteen out of 19

20 tone equal modes:

2 3 2 2 2 3 2 2 2 Balzano Nine-tone
2 2 2 2 1 2 2 2 2 2 1 Balzano Eleven-tone
2 2 2 3 2 2 2 3 2 Balzano Nine-tone inverse
1 2 2 2 2 2 1 2 2 2 2 Balzano Eleven-tone inverse
2 3 2 3 2 3 2 3 Octatonic
3 2 3 2 3 2 3 2 Diminished
4 3 1 4 3 4 1 Twenty-tone Major
4 1 3 4 1 4 3 Twenty-tone Minor
2 2 1 2 1 2 2 1 2 2 2 1 Twelve-tone Chromatic
2 2 2 2 1 2 2 2 2 1 2 Zweifel Major
2 1 2 2 2 2 2 1 2 2 2 Zweifel Natural Minor
3 3 3 3 3 3 2 Major quasi-equal Heptatonic
3 2 3 3 3 3 3 Minor quasi-equal Heptatonic

21 tone equal modes:

4 4 5 4 4 Quasi-equal Pentatonic
2 3 2 2 3 2 2 3 2 Quasi-equal Enneatonic

22 tone equal modes (Paul Erlich):

2 2 3 2 2 2 3 2 2 2 Standard Pentachordal Major
2 2 3 2 2 2 2 3 2 2 Static Symmetrical Major
2 3 2 2 2 2 2 3 2 2 Alternate Pentachordal Major
2 3 2 2 2 2 3 2 2 2 Dynamic Symmetrical Major
2 2 2 3 2 2 2 2 2 3 Standard Pentachordal Minor
2 2 2 3 2 2 2 2 3 2 Static Symmetrical Minor
2 2 2 2 3 2 2 2 3 2 Alternate Pentachordal Minor
2 2 2 2 3 2 2 2 2 3 Dynamic Symmetrical Minor
4 3 3 3 3 3 3 Major quasi-equal Heptatonic
3 3 3 4 3 3 3 Minor quasi-equal Heptatonic
4 3 3 4 4 4 Harmonic Whole-Tone
4 3 4 4 3 4 "9-limit" Consonant Whole-Tone
3 1 1 3 1 3 1 3 1 1 3 1 Twelve-tone Chromatic (1/3-comma positive)
4 4 1 4 4 4 1 Twenty-two tone Major
4 1 4 4 1 4 4 Twenty-two tone Minor
4 3 2 4 3 4 2 Twenty-two tone "Just" Major
4 2 3 4 2 4 3 Twenty-two tone Natural Minor
4 2 3 4 3 4 2 Twenty-two tone Melodic Minor
4 2 3 4 2 5 2 Twenty-two tone Harmonic Minor
4 3 2 4 2 5 2 Twenty-two tone Harmonic Major
6 3 1 3 6 3 Blues
5 4 4 5 4 Septimal Minor Pentatonic
2 3 2 3 2 3 2 3 2 Rezsutek's Percussion scale

22 tone modes of Indian shruti scale:

256/243 16/15 10/9 9/8 32/27 6/5 5/4 81/64 4/3 27/20 45/32 729/512 (or 64/45) 3/2 128/81 8/5 5/3 27/16 16/9 9/5 15/8 243/128 2/1
4 3 2 4 4 3 2 Shadja Grama, Murchhana Uttaramandra, Shuddha Swara Saptaka
[20] 2 4 3 2 4 4 3 Murchhana Rajani
[17] 3 2 4 3 2 4 4 Murchhana Uttarayata
4 3 2 4 3 2 4 Murchhana Suddhasadja, Raga Harikambhoji, Palaiyazh
4 4 3 2 4 3 2 Murchhana Asvakranta
2 4 4 3 2 4 3 Murchhana Matsarikrita
3 2 4 4 3 2 4 Murchhana Abhirudgata, Kafi That, Raga Bageshri
4 3 2 4 3 4 2 Madhyama Grama, Bilaval That, Murchhana Suddhamadhya
[20] 2 4 3 2 4 3 4 Murchhana Margavi
3 4 2 4 3 2 4 Murchhana Hrishyaka
4 3 4 2 4 3 2 Murchhana Sauviri, Kalyan That
2 4 3 4 2 4 3 Murchhana Harinasva, Bhairavi That
[4] 3 2 4 3 4 2 4 Murchhana Kalopanata
3 2 4 3 3 3 4 Gandhaara Grama (Sarngadeva der. sa-grama)
3 2 4 3 2 4 4 Gandhaara Grama (Sarngadeva der. ma-grama)
4 2 4 3 3 3 3 Gandhaara Grama (Narada der. sa-grama)
4 2 4 3 2 4 3 Gandhaara Grama (Narada der. ma-grama), Murchhana Pauravi
4 2 3 4 2 4 3 Gandhaara Grama (Damodara), Raga Darbari
2 4 3 3 3 4 3 Gandhaara Grama (Somanatha)
4 2 3 4 2 2 2 3 Raga Anandabhairavi
4 2 3 4 2 3 4 Asavari That
2 5 6 2 5 2 Raga Bauli
2 6 1 4 2 6 1 Bhairav That
2 5 2 3 1 3 4 2 Raga Bhatiyar
4 3 2 3 1 4 3 2 Raga Bihag
1 4 4 4 1 4 4 Raga Bilashkhani Todi
4 3 2 3 1 3 2 3 1 Raga Chayanat
3 4 6 3 6 Raga Deskar
4 5 4 4 5 Raga Durga
4 3 6 7 2 Raga Hamsadhvani
4 1 4 4 1 4 4 Raga Jaunpuri
3 4 2 4 3 4 2 Raga Jogiya
2 3 4 4 2 3 4 Raga Kanakangi
4 3 2 4 4 1 4 Khamaj That
4 3 2 4 3 2 3 1 Raga Khamaj
4 3 2 4 3 6 Raga Kambhoji
4 2 3 4 4 2 3 Raga Kharaharapriya
6 3 6 3 4 Raga Malkauns
2 5 4 2 4 3 2 Raga Marva
4 2 3 4 4 2 2 1 Raga Mian Ki Malhar
3 2 4 4 2 1 2 4 Raga Mukhari
2 4 5 2 2 6 1 Raga Multani
2 5 5 1 3 4 2 Raga Puriya Kalyan
2 5 5 1 2 5 2 Purvi That, Raga Shri
4 2 2 1 4 4 2 2 1 Raga Ramdasi Malhar
1 6 2 1 3 1 6 2 Raga Ramkali
1 4 4 4 1 7 1 Raga Rampurmat Pilu
1 6 2 4 1 2 4 2 Raga Saurashtra
2 7 4 1 8 Raga Saveri
3 6 4 3 6 Raga Suddha Malhar
4 3 2 2 2 3 4 2 Raga Suddha Kalyan
6 3 4 2 5 2 Raga Takka
7 2 4 5 2 2 Raga Tilang
1 4 6 2 1 7 1 Todi That
1 4 7 1 1 6 2 Raga Varali
4 4 4 1 4 4 1 Raga Yaman
4 3 2 3 1 3 5 1 Raga Yaman Kalyan
2 2 2 1 2 2 2 2 2 2 1 2 Modern Indian gamut
3 2 1 1 2 3 1 3 2 1 1 2 Old Indian gamut

22 tone mode of Tamil matra scale:

4 4 3 2 4 3 2 Seven-tone gamut (saptaka)

24 tone modes:

1 1 8 1 1 8 4 Enharmonic Mixolydian
1 8 1 1 8 4 1 Enharmonic Lydian
8 1 1 8 4 1 1 Enharmonic Phrygian
1 1 8 4 1 1 8 Enharmonic Dorian
1 8 4 1 1 8 1 Enharmonic Hypolydian
8 4 1 1 8 1 1 Enharmonic Hypophrygian
4 1 1 8 1 1 8 Enharmonic Hypodorian
2 3 5 2 3 5 4 Soft Diatonic Mixolydian
3 5 2 3 5 4 2 Soft Diatonic Lydian
5 2 3 5 4 2 3 Soft Diatonic Phrygian
2 3 5 4 2 3 5 Soft Diatonic Dorian
3 5 4 2 3 5 2 Soft Diatonic Hypolydian
5 4 2 3 5 2 3 Soft Diatonic Hypophrygian
4 2 3 5 2 3 5 Soft Diatonic Hypodorian
3 3 4 3 3 4 4 Neutral Diatonic Mixolydian
3 4 3 3 4 4 3 Neutral Diatonic Lydian, Dastgah Sehgah
4 3 3 4 4 3 3 Arabic Diatonic, Maqam Rast, Quasi-equal Heptatonic, Neutral Diatonic Phrygian
3 3 4 4 3 3 4 Neutral Diatonic Dorian
3 4 4 3 3 4 3 Maqam Sikah, Neutral Diatonic Hypolydian
4 4 3 3 4 3 3 Neutral Diatonic Hypophrygian
4 3 3 4 3 3 4 Miha'il Musaqa's mode: Egyptian, Neutral Diatonic Hypodorian, Dastgah Sehgah
1 5 4 1 5 4 4 Diatonic + Enharmonic Diesis Mixolydian
5 4 1 5 4 4 1 Diatonic + Enharmonic Diesis Lydian
4 1 5 4 4 1 5 Diatonic + Enharmonic Diesis Phrygian
1 5 4 4 1 5 4 Diatonic + Enharmonic Diesis Dorian
5 4 4 1 5 4 1 Diatonic + Enharmonic Diesis Hypolydian
4 4 1 5 4 1 5 Diatonic + Enharmonic Diesis Hypophrygian
4 1 5 4 1 5 4 Diatonic + Enharmonic Diesis Hypodorian
3 4 3 3 4 3 4 Neutral Mixolydian
4 3 3 4 3 4 3 Neutral Lydian
3 3 4 3 4 3 4 Neutral Phrygian
3 4 3 4 3 4 3 Mohajira, Neutral Dorian
4 3 4 3 4 3 3 Neutral Hypolydian
3 4 3 4 3 3 4 Neutral Hypophrygian
4 3 4 3 3 4 3 Neutral Hypodorian
3 5 2 4 3 5 2 Athanasopoulos' Byzantine Liturgical Chromatic, Dastgah Chahargah
4 2 4 4 3 3 4 Dastgah Nava
2 7 1 4 2 7 1 Second plagal Byzantine mode of chant
5 5 4 5 5 Quasi-equal Pentatonic
3 3 4 4 2 4 4 Maqam 'Ushshaq Turki, Dastgah Shur
3 3 4 4 2 1 3 4 Maqam Bayati
3 3 2 6 2 4 4 Maqam Saba, Maqam Mansuri
4 3 3 4 2 6 2 Maqam Suznak (Soznak)
4 3 3 4 4 2 1 3 Maqam Mahur, Maqam Dilkashidah, Maqam Rast
4 3 1 2 1 3 4 2 1 3 Maqam Yakah
3 3 4 2 6 2 4 Maqam Qarjighar
3 4 2 2 2 2 2 4 3 Maqam Huzam
3 4 2 6 2 4 3 Maqam Hizam
2 6 2 4 2 1 3 4 Maqam Hijaz
3 4 4 2 1 3 4 3 Maqam Musta'ar
3 2 6 2 4 4 3 Maqam 'Iraq
5 2 4 2 4 4 3 Maqam Bastanikar
4 2 6 2 4 2 1 3 Maqam Farah Faza, Maqam Nakriz
4 2 1 3 2 2 2 2 3 1 2 Maqam Hayyan
4 2 1 3 2 2 4 2 1 3 Maqam Basandida
4 4 2 1 3 2 2 4 2 Maqam Shawq Afza
2 1 3 2 2 4 2 4 2 2 Maqam Shawq Tarab
3 1 2 1 4 4 2 4 4 Maqam Jabburi
2 4 4 4 3 3 4 Maqam Nawa
2 5 3 4 2 5 3 Maqam Higaz-kar
3 4 4 2 4 4 3 Maqam Su'ar, Naghmeh Abu Ata, Naghmeh Afshari
4 4 2 4 4 3 3 Naghmeh Bayat-e Tork, Naghmeh Dashti
3 5 2 4 2 4 4 Dastgah Homayun
4 2 4 4 3 5 2 Naghmeh Esfahan
3 6 1 5 2 6 1 Maqam Aug-ara
4 1 5 4 2 6 2 Maqam Buselik
4 2 6 2 2 5 3 Maqam Neuter
1 2 2 2 2 2 2 1 2 2 2 2 2 de Vries 13-tone
4 1 4 1 4 1 4 1 4 de Vries 9-tone
9 2 2 9 2 de Vries 5-tone
3 7 4 3 7 Spondeion
1 1 8 4 2 8 Spondeiakos
1 2 3 4 4 1 2 3 4 Progressive Enneatonic
2 3 2 3 2 2 3 2 3 2 Young 10-tone
2 2 1 2 2 2 1 2 2 1 2 2 2 1 Young 14-tone
3 1 3 3 3 1 3 3 1 3 Breed 10-tone

26 tone equal modes:

1 3 3 1 3 1 3 1 3 3 1 3 Meantone Chromatic (4/9-comma)
4 4 3 4 4 4 3 Twenty-six tone Major
4 3 4 4 3 4 4 Twenty-six tone Natural Minor
4 3 4 4 4 4 3 Twenty-six tone Melodic Minor
4 3 4 4 3 5 3 Twenty-six tone Harmonic Minor
4 4 3 4 3 5 3 Twenty-six tone Harmonic Major
5 5 6 5 5 Quasi-equal Pentatonic

Paul Erlich's 26 tone equal modes:

2 2 2 2 2 2 1 2 2 2 2 2 1 2 Static Major
2 2 2 2 2 1 2 2 2 2 2 2 2 1 Dynamic Major
2 1 2 2 2 2 2 2 2 1 2 2 2 2 Static Minor
2 2 1 2 2 2 2 2 1 2 2 2 2 2 Dynamic Minor
2 2 2 2 2 2 1 2 2 2 2 2 2 1 Erlich Double Diatonic

27 tone equal modes:

5 4 2 5 4 5 2 Twenty-seven tone Major
5 2 4 5 2 5 4 Twenty-seven tone Minor

28 tone equal mode:

2 5 2 5 2 5 2 5 Octatonic

29 tone equal modes:

3 2 2 3 2 3 2 3 2 2 3 2 Twelve-tone Chromatic (1/14-comma positive)
5 5 2 5 5 5 2 Twenty-nine tone Major
5 2 5 5 2 5 5 Twenty-nine tone Minor
5 3 4 5 3 5 4 Twenty-nine tone Natural Minor
5 3 4 5 4 5 3 Twenty-nine tone Melodic Minor
5 3 4 5 3 6 3 Twenty-nine tone Harmonic Minor
5 4 3 5 3 6 3 Twenty-nine tone Harmonic Major
5 4 3 5 4 5 3 Twenty-nine tone "Just" Major
6 6 5 6 6 Quasi-equal Pentatonic
3 3 3 2 3 3 3 3 3 3 Keenan Decatonic

31 tone equal modes:

2 3 3 2 3 2 3 2 3 3 2 3 Meantone Chromatic (53/220-comma)
5 5 3 5 5 5 3 Thirty-one tone Major, Intense Diatonic Lydian
5 3 5 5 3 5 5 Thirty-one tone Natural Minor, Intense Diatonic Hypodorian
5 3 5 5 5 5 3 Thirty-one tone Melodic Minor
5 3 5 5 3 7 3 Thirty-one tone Harmonic Minor
5 5 3 5 3 7 3 Thirty-one tone Harmonic Major
5 8 5 13 Genus primum
10 3 5 5 5 3 Genus secundum
8 2 8 3 7 3 Genus tertium
10 10 10 1 Genus quartum
5 7 6 7 5 1 Genus quintum
4 6 2 6 4 3 3 3 Genus sextum
4 6 5 6 4 6 Genus septimum
6 6 6 1 6 6 Genus octavum
4 6 9 6 4 2 Genus nonum
13 6 6 6 Genus decimum
5 5 3 5 5 3 2 3 Genus diatonicum
3 5 2 3 5 3 2 5 3 Genus chromaticum
3 4 3 3 2 1 4 1 4 1 2 3 Genus enharmonicum vocale
2 2 4 2 2 3 3 3 1 3 3 3 Genus enharmonicum instrumentale
3 2 3 2 3 2 3 3 2 3 2 3 Genus diatonico-chromaticum
5 2 1 2 5 3 2 1 4 1 2 3 Genus bichromaticum
4 4 5 4 4 5 5 Neutral Diatonic Mixolydian
4 5 4 4 5 5 4 Neutral Diatonic Lydian
5 4 4 5 5 4 4 Neutral Diatonic Phrygian
4 4 5 5 4 4 5 Neutral Diatonic Dorian
4 5 5 4 4 5 4 Neutral Diatonic Hypolydian
5 5 4 4 5 4 4 Neutral Diatonic Hypophrygian
5 4 4 5 4 4 5 Neutral Diatonic Hypodorian
4 5 4 4 5 4 5 Neutral Mixolydian
5 4 4 5 4 5 4 Neutral Lydian
4 4 5 4 5 4 5 Neutral Phrygian
4 5 4 5 4 5 4 Neutral Dorian
5 4 5 4 5 4 4 Neutral Hypolydian
4 5 4 5 4 4 5 Neutral Hypophrygian
5 4 5 4 4 5 4 Neutral Hypodorian
2 2 9 2 2 9 5 Hemiolic Chromatic Mixolydian
2 9 2 2 9 5 2 Hemiolic Chromatic Lydian
9 2 2 9 5 2 2 Hemiolic Chromatic Phrygian
2 2 9 5 2 2 9 Hemiolic Chromatic Dorian
2 9 5 2 2 9 2 Hemiolic Chromatic Hypolydian
9 5 2 2 9 2 2 Hemiolic Chromatic Hypophrygian
5 2 2 9 2 2 2 Hemiolic Chromatic Hypodorian
2 3 8 2 3 8 5 Ratio 2:3 Chromatic Mixolydian
3 8 2 3 8 5 2 Ratio 2:3 Chromatic Lydian
8 2 3 8 5 2 3 Ratio 2:3 Chromatic Phrygian
2 3 8 5 2 3 8 Ratio 2:3 Chromatic Dorian
3 8 5 2 3 8 2 Ratio 2:3 Chromatic Hypolydian
8 5 2 3 8 2 3 Ratio 2:3 Chromatic Hypophrygian
5 2 3 8 2 3 8 Ratio 2:3 Chromatic Hypodorian
3 5 5 3 5 5 5 Intense Diatonic Mixolydian
5 3 5 5 5 3 5 Intense Diatonic Phrygian
3 5 5 5 3 5 5 Intense Diatonic Dorian
5 5 5 3 5 5 3 Intense Diatonic Hypolydian
5 5 3 5 5 3 5 Intense Diatonic Hypophrygian
2 5 6 2 5 6 5 Soft Diatonic Mixolydian
5 6 2 5 6 5 2 Soft Diatonic Lydian
6 2 5 6 5 2 5 Soft Diatonic Phrygian
2 5 6 5 2 5 6 Soft Diatonic Dorian
5 6 5 2 5 6 2 Soft Diatonic Hypolydian
6 5 2 5 6 2 5 Soft Diatonic Hypophrygian
5 2 5 6 2 5 6 Soft Diatonic Hypodorian
1 2 10 1 2 10 5 Enharmonic Mixolydian
2 10 1 2 10 5 1 Enharmonic Lydian
10 1 2 10 5 1 2 Enharmonic Phrygian
1 2 10 5 1 2 10 Enharmonic Dorian
2 10 5 1 2 10 1 Enharmonic Hypolydian
10 5 1 2 10 1 2 Enharmonic Hypophrygian
5 1 2 10 1 2 10 Enharmonic Hypodorian
6 6 7 6 6 Quasi-equal Pentatonic
3 2 2 3 3 2 3 3 2 2 3 3 Fokker 12-tone
3 3 4 3 5 3 4 3 3 Hahn symmetric pentachordal
3 4 3 3 5 3 4 3 3 Hahn pentachordal
5 1 5 1 5 1 5 1 5 1 1 de Vries 11-tone
4 1 4 4 4 1 4 4 1 4 Breed 10-tone
4 2 4 2 4 2 4 3 3 3 Lumma Decatonic

32 tone equal mode:

3 5 3 5 3 5 3 5 Octatonic

34 tone equal modes:

3 3 3 2 3 3 3 3 2 3 3 3 "Just" Chromatic
6 5 3 6 5 6 3 Thirty-four tone "Just" Major
6 3 5 6 3 6 5 Thirty-four tone Natural Minor
6 3 5 6 5 6 3 Thirty-four tone Melodic Minor
6 3 5 6 3 8 3 Thirty-four tone Harmonic Minor
6 5 3 6 3 8 3 Thirty-four tone Harmonic Major
7 7 6 7 7 Quasi-equal Pentatonic
2 5 2 5 2 2 5 2 2 5 2 Wilson 11-tone

36 tone equal modes:

1 1 13 1 1 13 6 Hyperenharmonic Mixolydian
1 13 1 1 13 6 1 Hyperenharmonic Lydian
13 1 1 13 6 1 1 Hyperenharmonic Phrygian
1 1 13 6 1 1 13 Hyperenharmonic Dorian
1 13 6 1 1 13 1 Hyperenharmonic Hypolydian
13 6 1 1 13 1 1 Hyperenharmonic Hypophrygian
6 1 1 13 1 1 13 Hyperenharmonic Hypodorian
2 2 11 2 2 11 6 Soft Chromatic Mixolydian
2 11 2 2 11 6 2 Soft Chromatic Lydian
11 2 2 11 6 2 2 Soft Chromatic Phrygian
2 2 11 6 2 2 11 Soft Chromatic Dorian
2 11 6 2 2 11 2 Soft Chromatic Hypolydian
11 6 2 2 11 2 2 Soft Chromatic Hypophrygian
6 2 2 11 2 2 11 Soft Chromatic Hypodorian
2 4 9 2 4 9 6 Ratio 1:2 Chromatic Mixolydian
4 9 2 4 9 6 2 Ratio 1:2 Chromatic Lydian
9 2 4 9 6 2 4 Ratio 1:2 Chromatic Phrygian
2 4 9 6 2 4 9 Ratio 1:2 Chromatic Dorian
4 9 6 2 4 9 2 Ratio 1:2 Chromatic Hypolydian
9 6 2 4 9 2 4 Ratio 1:2 Chromatic Hypophrygian
6 2 4 9 2 4 9 Ratio 1:2 Chromatic Hypodorian
5 5 5 5 5 5 6 Equal Diatonic Mixolydian
5 5 5 5 5 6 5 Equal Diatonic Lydian
5 5 5 5 6 5 5 Equal Diatonic Phrygian
5 5 5 6 5 5 5 Equal Diatonic Dorian
5 5 6 5 5 5 5 Equal Diatonic Hypolydian
5 6 5 5 5 5 5 Equal Diatonic Hypophrygian
6 5 5 5 5 5 5 Equal Diatonic Hypodorian
7 7 8 7 7 Quasi-equal Pentatonic
5 4 6 6 5 4 6 First Byzantine mode of chant

41 tone equal modes:

4 3 3 4 3 4 3 4 3 3 4 3 Twelve-tone Chromatic (1/44-comma positive)
4 3 4 2 4 3 4 4 2 4 3 4 "Just" Chromatic
7 7 3 7 7 7 3 Forty-one tone Major
7 3 7 7 3 7 7 Forty-one tone Minor
7 6 4 7 6 7 4 Forty-one tone "Just" Major
7 4 6 7 4 6 7 Forty-one tone Natural Minor
7 4 6 7 6 7 4 Forty-one tone Melodic Minor
7 4 6 7 4 9 4 Forty-one tone Harmonic Minor
7 6 4 7 4 9 4 Forty-one tone Harmonic Major

43 tone equal modes:

3 4 4 3 4 3 4 3 4 4 3 4 Meantone Chromatic (1/5-comma)
7 7 4 7 7 7 4 Forty-three tone Major
7 4 7 7 4 7 7 Forty-three tone Natural Minor
7 4 7 7 7 7 4 Forty-three tone Melodic Minor
7 4 7 7 4 10 4 Forty-three tone Harmonic Minor
7 7 4 7 4 10 4 Forty-three tone Harmonic Major
3 3 12 3 3 12 7 Parachromatic Mixolydian
3 12 3 3 12 7 3 Parachromatic Lydian
12 3 3 12 7 3 3 Parachromatic Phrygian
3 3 12 7 3 3 12 Parachromatic Dorian
3 12 7 3 3 12 3 Parachromatic Hypolydian
12 7 3 3 12 3 3 Parachromatic Hypophrygian
7 3 3 12 3 3 12 Parachromatic Hypodorian
3 6 9 3 6 9 7 Soft Diatonic Mixolydian
6 9 3 6 9 7 3 Soft Diatonic Lydian
9 3 6 9 7 3 6 Soft Diatonic Phrygian
3 6 9 7 3 6 9 Soft Diatonic Dorian
6 9 7 3 6 9 3 Soft Diatonic Hypolydian
9 7 3 6 9 3 6 Soft Diatonic Hypophrygian
7 3 6 9 3 6 9 Soft Diatonic Hypodorian

45 tone equal modes:

2 5 5 2 5 2 5 2 5 5 2 5 Meantone Chromatic (2/5-comma)
7 7 5 7 7 7 5 Forty-five tone Major
7 5 7 7 5 7 7 Forty-five tone Minor

46 tone equal modes:

5 3 3 5 3 5 3 5 3 3 5 3 Twelve-tone Chromatic (1/9-comma positive)
4 4 4 3 4 4 4 4 3 4 4 4 "Just" Chromatic
8 7 4 8 7 8 4 Forty-six tone "Just" Major
8 4 7 8 4 8 7 Forty-six tone Natural Minor
8 4 7 8 7 8 4 Forty-six tone Melodic Minor
8 4 7 8 4 11 4 Forty-six tone Harmonic Minor
8 7 4 8 4 11 4 Forty-six tone Harmonic Major

48 tone equal modes:

3 3 14 3 3 14 8 Hemiolic Chromatic Mixolydian
3 14 3 3 14 8 3 Hemiolic Chromatic Lydian
14 3 3 14 8 3 3 Hemiolic Chromatic Phrygian
3 3 14 8 3 3 14 Hemiolic Chromatic Dorian
3 14 8 3 3 14 3 Hemiolic Chromatic Hypolydian
14 8 3 3 14 3 3 Hemiolic Chromatic Hypophrygian
8 3 3 14 3 3 14 Hemiolic Chromatic Hypodorian
5 5 10 5 5 10 8 Soft Diatonic Mixolydian
5 10 5 5 10 8 5 Soft Diatonic Lydian
10 5 5 10 8 5 5 Soft Diatonic Phrygian
5 5 10 8 5 5 10 Soft Diatonic Dorian
5 10 8 5 5 10 5 Soft Diatonic Hypolydian
10 8 5 5 10 5 5 Soft Diatonic Hypophrygian
8 5 5 10 5 5 10 Soft Diatonic Hypodorian
5 5 5 5 8 5 5 5 5 Quasi-equal Enneatonic

50 tone equal modes:

3 5 5 3 5 3 5 3 5 5 3 5 Meantone Chromatic (2/7-comma)
8 8 5 8 8 8 5 Fifty tone Major
8 5 8 8 5 8 8 Fifty tone Natural Minor
8 5 8 8 8 8 5 Fifty tone Melodic Minor
8 5 8 8 5 11 5 Fifty tone Harmonic Minor
8 8 5 8 5 11 5 Fifty tone Harmonic Major

53 tone equal modes:

5 4 5 3 5 4 5 5 3 5 4 5 "Just" Chromatic
5 4 4 5 4 5 4 5 4 4 5 4 Meantone Chromatic (1/315-comma)
9 8 5 9 8 9 5 Fifty-three tone "Just" Major
9 5 8 9 5 9 8 Fifty-three tone "Just" Minor
9 8 5 9 9 4 4 5 Maqam Rast
9 4 9 9 4 9 9 Maqam Nahawand, Fifty-three tone Minor
9 8 5 9 8 1 4 4 5 Maqam Yegah
9 4 9 9 4 9 4 5 Maqam Sultaniyegah, Ruhnevaz
4 9 9 9 4 9 9 Maqam Ferahnuma, Askefza
5 12 5 9 5 8 4 5 Maqam Sedaraban
8 5 9 8 5 9 9 Maqam Huseyniasiran
5 12 5 9 4 4 5 4 5 Maqam Suzidil
9 9 4 4 5 9 9 4 Maqam Acemasiran
9 5 4 4 4 5 5 13 4 Maqam Sevkefza
5 9 8 5 9 9 4 4 Maqam Iraq
5 9 8 5 4 5 9 4 4 Maqam Evic, Segah
5 9 8 1 4 4 5 9 4 4 Maqam Ferahnak
5 13 4 9 5 13 4 Maqam Evicara (Evcara)
9 9 4 9 9 4 5 4 Maqam Mahur
9 5 4 4 4 5 9 4 5 4 Maqam Suzidilara
9 9 4 4 5 9 4 4 5 Maqam Buzurk
5 4 4 4 5 9 4 9 9 Maqam Suzinak
5 12 5 5 4 4 4 5 9 Maqam Zirguleli Suzinak
5 12 5 9 5 3 5 4 5 Maqam Hicazkar
4 1 4 4 4 5 9 4 4 5 9 Maqam Kurdilihicazkar
9 4 9 5 4 4 5 8 5 Maqam Nihavend (Nihavent)
9 5 12 5 5 12 5 Maqam Neveser
9 5 12 5 9 4 4 5 Maqam Nikriz
8 5 9 9 4 4 5 9 Maqam Huseyni, Muhayyer, Neva
8 5 9 5 4 4 4 5 9 Maqam Gulizar, Beyati, Karcigar
8 5 9 9 4 9 9 Maqam Ussak, Acem
4 4 1 4 9 4 5 4 9 9 Maqam Kurdi
9 4 9 5 4 4 4 5 4 5 Maqam Buselik (Puselik)
8 5 9 5 3 1 4 4 5 9 Maqam Arazbar
5 12 5 9 4 4 5 9 Maqam Hicaz, Uzzal, Humayun
5 12 5 9 4 1 8 4 5 Maqam Zirgule
5 12 5 9 4 1 3 5 4 5 Maqam Sehnaz
8 5 5 13 4 9 9 Maqam Saba, Sunbule
8 5 5 13 4 4 5 5 4 Maqam Kucek
8 5 5 4 9 4 4 5 4 5 Maqam Eski Sipihr
4 4 5 4 1 13 4 9 9 Maqam Dugah
8 5 9 4 5 4 1 8 4 5 Maqam Hisar
5 3 5 4 5 4 5 4 1 3 5 4 5 Maqam Yeni Sipihr
9 8 5 9 5 8 9 Maqam Nisaburek
5 9 5 12 5 9 4 4 Maqam Huzzam
9 5 8 9 5 9 4 4 Maqam Mustear
5 9 8 1 4 9 9 8 Maqam Maye (Yeni Maye)
1 4 9 8 5 9 9 3 5 Maqam Vechi Arazbar
8 5 9 4 9 9 4 5 Maqam Nisabur
5 13 4 9 5 12 5 Maqam Cargah I
9 9 4 9 9 9 4 Maqam Cargah II, Fifty-three tone Major
5 8 13 5 5 8 4 5 Maqam Araban
9 8 5 9 9 5 8 Maqam Urmawi

55 tone equal modes:

4 5 5 4 5 4 5 4 5 5 4 5 Meantone Chromatic (1/6-comma)
5 4 5 4 5 5 4 5 4 5 4 5 Sauveur's Musician's System
9 9 5 9 9 9 5 Fifty-five tone Major
9 5 9 9 5 9 9 Fifty-five tone Natural Minor
9 5 9 9 9 9 5 Fifty-five tone Melodic Minor
9 5 9 9 5 13 5 Fifty-five tone Harmonic Minor
9 9 5 9 5 13 5 Fifty-five tone Harmonic Major

63 tone equal mode:

7 4 4 7 4 7 4 7 4 4 7 4 Twelve-tone Chromatic (1/8-comma positive)

65 tone equal modes:

6 5 5 6 5 6 5 6 5 5 6 5 Meantone Chromatic (1/52-comma)
6 5 6 4 6 5 6 6 4 6 5 6 "Just" Chromatic

67 tone equal mode:

5 6 6 5 6 5 6 5 6 6 5 6 Meantone Chromatic (4/25-comma)

70 tone equal mode:

7 5 5 7 5 7 5 7 5 5 7 5 Twelve-tone Chromatic (1/24-comma positive)

72 tone equal modes:

7 5 7 4 7 5 7 7 4 7 5 7 "Just" Chromatic
5 5 20 5 5 20 12 Parachromatic Mixolydian
5 20 5 5 20 12 5 Parachromatic Lydian
20 5 5 20 12 5 5 Parachromatic Phrygian
5 5 20 12 5 5 20 Parachromatic Dorian
5 20 12 5 5 20 5 Parachromatic Hypolydian
20 12 5 5 20 5 5 Parachromatic Hypophrygian
12 5 5 20 5 5 20 Parachromatic Hypodorian
5 10 15 5 10 15 12 Soft Diatonic Mixolydian
10 15 5 10 15 12 5 Soft Diatonic Lydian
15 5 10 15 12 5 10 Soft Diatonic Phrygian
5 10 15 12 5 10 15 Soft Diatonic Dorian
10 15 12 5 10 15 5 Soft Diatonic Hypolydian
15 12 5 10 15 5 10 Soft Diatonic Hypophrygian
12 5 10 15 5 10 15 Soft Diatonic Hypodorian

77 tone equal mode:

7 6 6 7 6 7 6 7 6 6 7 6 Meantone Chromatic (18/59-comma)

79 tone equal mode:

6 7 7 6 7 6 7 6 7 7 6 7 Meantone Chromatic (3/20-comma)

84 tone equal mode:

8 6 8 5 8 6 8 8 5 8 6 8 "Just" Chromatic

89 tone equal mode:

8 7 7 8 7 8 7 8 7 7 8 7 Meantone Chromatic (1/26-comma)

91 tone equal mode:

7 8 8 7 8 7 8 7 8 8 7 8 Meantone Chromatic (1/7-comma)

94 tone equal mode:

9 7 7 9 7 9 7 9 7 7 9 7 Twelve-tone Chromatic (1/125-comma positive)

96 tone equal mode:

9 7 9 6 9 7 9 9 6 9 7 9 "Just" Chromatic

98 tone equal mode:

7 9 9 7 9 7 9 7 9 9 7 9 Meantone Chromatic (5/27-comma)

99 tone equal mode:

10 7 7 10 7 10 7 10 7 7 10 7 Twelve-tone Chromatic (1/20-comma positive)

101 tone equal mode:

9 8 8 9 8 9 8 9 8 8 9 8 Meantone Chromatic (1/22-comma)

103 tone equal mode:

8 9 9 8 9 8 9 8 9 9 8 9 Meantone Chromatic (3/22-comma)

108 tone equal mode:

10 8 10 7 10 8 10 10 7 10 8 10 "Just" Chromatic

118 tone equal modes:

11 9 9 11 9 11 9 11 9 9 11 9 Meantone Chromatic (1/83-comma)
11 9 11 7 11 9 11 11 7 11 9 11 "Just" Chromatic

171 tone equal modes:

16 13 13 16 13 16 13 16 13 13 16 13 Meantone Chromatic (1/107-comma)
16 13 16 10 16 13 16 16 10 16 13 16 "Just" Chromatic

183 tone equal modes:

17 14 14 17 14 17 14 17 14 14 17 14 Meantone Chromatic (1/68-comma)
17 14 17 11 17 14 17 17 11 17 14 17 "Just" Chromatic